Amp Concerts

Renegade indie-pop duo Overcoats brings audiences uplifting, dreamy tracks that revel in the catharsis of honest songwriting, swirling synthesizers and hypnotic melodies, as part of the third annual Oasis Festival, organized by the Convergence Project.

Funk-rockers Making Movies team up with Chicano folk group Las Cafeteras to redefine folk music in North America­–celebrating the rich, often overlooked folk music of Latin America with a modern point of view that’s sure to get you dancing.

Multidisciplinary artist and DJ Hatim Belyami–aka HAT–creates a world of mesmerizing soundscapes and visuals from elaborate audio/visual remixes, fusing traditional folk heritages from around the world with tomorrow’s electro.

With powerful vocals layered over raw Americana melodies, Birds of Chicago meld folk, gospel and rock ‘n’ roll into tender music that heals the soul.

With opening act Emily Kaye Miller.

The Bright Light Social Hour is redefining southern rock with psychedelia-inspired riffs, bombastic rhythms and ethereal lyrics that paint a vision of a ‘future south.’

With opening act The Coma Recovery.

Fusing ‘60s surf-rock guitar riffs with Afro-Latin rhythms, La Chamba pays homage to Peruvian Chicha Music, a distinctive style of cumbia with traces of Andean huayano and American psychedelic rock that you can’t help but dance to.

Self-described ‘two steppin’ head bangin,’ Anthony Leon delivers searing electric rock ‘n’ roll laced with twang, poetry and raw energy that keeps concertgoers coming back for more.

With opening act Escape on a Horse.

With an ear for infectious melodies and stadium-ready anthems, Magic Giant ignites audiences across the nation with their joyous music, lifting spirits and moving feet.

With opening act Lindy Vision.

The Levitt AMP Santa Fe Railyard series presents the third annual installment of our popular Santa Fe Salutes shows, this year honoring the legacy of the great Tom Petty!

Genre-defying powerhouse Deva Mahal transfixes audiences with emotionally-rich songs infused with blues sensibilities and a voice to bring the house down.